Photography
My photography
I use photography to show something about where I’ve been or people whom I’ve met. As well as trying to see the beauty in a scene or situation, I’m also trying to convey ideas and feelings. My photography is about me and what I do, who I meet and where I go. All my photography tries to be contemporary and creative. I’m resistant to being fitted in to a taxonomy by categorisation such as “travel” or “conceptual” or “nature”. All image-making is political simply by the act of selection and hence exclusion but I am not campaigning for any particular point of view, except to try to see the positives and to live life to the full.
I use 645, 35mm and DX formats plus a handy little digital compact that shoots RAW files. I’ve experimented with non-lens photography - do ask!
I first worked in a monochrome/silver wet darkroom at age 7, helping my Father with scientific prints; I’ve used colour negative materials since age 21 and digital since 2005. I use Photoshop (Adobe) and Photopaint (Corel).
At first sight this is another huge high-rise development in former docklands to the east of London. But there’s more to the architecture of London City Island than that. The island location (known locally as “Bog Island”) is in the deep part of one of the curves of the River Lea just before Leamouth, the confluence with the River Thames at East India Docks. The geographical location fundamentally softens the architecture which is indeed otherwise relentlessly rectilinear and very vertical, reaching far higher than power lines in Canning Town on the far side of the River Lea.
Dignity in death: lobsters are a formidable survivor species with ancestors back to at least the Cretaceous, 140 million years ago. This individual came from Canada, claimed farmed sustainably.
Terry’s cooking of Langoustines flambés in Pastis de Marseille with seared lettuce, at home in Preston Park, Brighton; we enjoyed our meal with a bottle of 2020 Macon Villages and a typically colourful Brighton & Hove sunset.
Thanks Terry.
“It could be you” - a young man contemplates the war memorial (1923) in Northernhay Gardens, Exeter.
