Photography
My photography
I use photography to show something about where I’ve been or people whom I’ve met. As well as trying to see the beauty in a scene or situation, I’m also trying to convey ideas and feelings. My photography is about me and what I do, who I meet and where I go. All my photography tries to be contemporary and creative. I’m resistant to being fitted in to a taxonomy by categorisation such as “travel” or “conceptual” or “nature”. All image-making is political simply by the act of selection and hence exclusion but I am not campaigning for any particular point of view, except to try to see the positives and to live life to the full.
I use 645, 35mm and DX formats plus a handy little digital compact that shoots RAW files. I’ve experimented with non-lens photography - do ask!
I first worked in a monochrome/silver wet darkroom at age 7, helping my Father with scientific prints; I’ve used colour negative materials since age 21 and digital since 2005. I use Photoshop (Adobe) and Photopaint (Corel).
It was a bright clear morning, one of the north country kind... in Penrith and Keswick.
Some textures and shapes which caught my eye this bright November day in Cumbria.
Three photos to show Marseille’s community, architecture and street art. Of course there’s much more to Marseille than this but these are key themes.
Update
Now back in London and having asked others for their comments, I am interested to see for myself how those photos look from a UK perspective and also judge how much I have achieved my aim to represent how I feel about Marseillle in just three photos. And explaining what I mean by them is a useful rigour. I’m particularly trying to show how I feel about modern Marseille and to get away from tourist or cinematic stereotypes.
Sheffield Park’s famous autumn display is popular with ducks, Old Ducks and photographers.
Worrying geometric dissonances at Regents University, London, the venue for the RPS Contemporary Group AGM
