My photography
I use photography to show something about where I’ve been or people whom I’ve met. As well as trying to see the beauty in a scene or situation, I’m also trying to convey ideas and feelings. My photography is about me and what I do, who I meet and where I go. All my photography tries to be contemporary and creative. I’m resistant to being fitted in to a taxonomy by categorisation such as “travel” or “conceptual” or “nature”. All image-making is political simply by the act of selection and hence exclusion but I am not campaigning for any particular point of view, except to try to see the positives and to live life to the full.
I use 645, 35mm and DX formats plus a handy little digital compact that shoots RAW files. I’ve experimented with non-lens photography - do ask!
I first worked in a monochrome/silver wet darkroom at age 7, helping my Father with scientific prints; I’ve used colour negative materials since age 21 and digital since 2005. I use Photoshop (Adobe) and Photopaint (Corel).
Seen over the garden wall: sunflowers and an empty but used wine glass on a blue gingham tablecloth on a table surrounded by garden chairs. The evidence of a good time last night. One thinks of the host finishing a bottle alone in the cool late at night after the two friends had gone home...
Arnside is famous for its sunsets over the estuary of the River Kent as it meets the sea at over Morecombe Bay. Here's a view of the dawn upstream of a dawn railway train on the viaduct crossing the River Kent, Lakeland fells and Pennines in the background, birds feasting on the exposed mud below.
Here's my postcard from a previous hiking visit to Arnside.
Reflections of the lights of Hammersmith Bridge reflecting in the water of the River Thames, calm and almost glassy, nearly at High Water.
Reminiscent of mythical sprites dancing at sunset!
Compare with my dawn view a month or so ago of the River Saône ..and the River Rhône at midday by the Pont de Trinquetaille
Captain Bertie MacLaren's designs for Preston Park have been restored recently with grants from the Heritage Lottery Fund, including the Italianate style Rotunda cafe (1929) and the magnificent Rose Garden of 4000 roses selected for colour and scent. There are also statues representing the four seasons.
You'll have to imagine the girders of the railway bridge over the Rhône here at Arles as it hasn't been reinstated after being blown in World War Two. You could equally imagine the Roman river crossing here, a large number of boats were lashed together with a pathway precariously proceeding across. The lions atop the piers recall other (permanent) Roman bridges in the area such as the Pont Flavain at St Chamas.
The barge cruising empty downstream the heavy river flow looks capable of carrying at least 32 containers, which saves at least 32 articulated lorries from the roads along this route.
Maybe this isn't entirely the meaning of “Conceptual Photography” although Arles is home to the renowned Rencontres d'Arles formerly known as the Rencontres Internationales de la Photographie d'Arles) as well as the highly-regarded L'Ecole Nationale Supérieure de la Photographie - ENSP.