My photography
I use photography to show something about where I’ve been or people whom I’ve met. As well as trying to see the beauty in a scene or situation, I’m also trying to convey ideas and feelings. My photography is about me and what I do, who I meet and where I go. All my photography tries to be contemporary and creative. I’m resistant to being fitted in to a taxonomy by categorisation such as “travel” or “conceptual” or “nature”. All image-making is political simply by the act of selection and hence exclusion but I am not campaigning for any particular point of view, except to try to see the positives and to live life to the full.
I use 645, 35mm and DX formats plus a handy little digital compact that shoots RAW files. I’ve experimented with non-lens photography - do ask!
I first worked in a monochrome/silver wet darkroom at age 7, helping my Father with scientific prints; I’ve used colour negative materials since age 21 and digital since 2005. I use Photoshop (Adobe) and Photopaint (Corel).
A walk around the front gardens in Preston Park, Brighton. Such variety and imagination on show from these dedicated gardeners, the result of their hard work.
My photographs of and around Ullswater from a sunny September weekend based in Glenridding in the Lake District National Park
Prospect Cottage and garden, Dungeness, by Derek Jarman (1942-1994)
My walk around the cottages, shacks and industrial relics on the shingle beach which create the ambience of this apparently remote corner of Kent.
The Wild West in Kent - Samson hauling a pssenger train at Denge Beach, Dungeness - Romney, Hythe and Dymchurch light railway (RH&DR) - but see my following photos when the train is close and the illusion is broken.
This is what we find: familiar views but of Westminster as it is in September 2020: few tourists, scaffolding everywhere but still the buses all come along together even though they are almost empty.