My photography
I use photography to show something about where I’ve been or people whom I’ve met. As well as trying to see the beauty in a scene or situation, I’m also trying to convey ideas and feelings. My photography is about me and what I do, who I meet and where I go. All my photography tries to be contemporary and creative. I’m resistant to being fitted in to a taxonomy by categorisation such as “travel” or “conceptual” or “nature”. All image-making is political simply by the act of selection and hence exclusion but I am not campaigning for any particular point of view, except to try to see the positives and to live life to the full.
I use 645, 35mm and DX formats plus a handy little digital compact that shoots RAW files. I’ve experimented with non-lens photography - do ask!
I first worked in a monochrome/silver wet darkroom at age 7, helping my Father with scientific prints; I’ve used colour negative materials since age 21 and digital since 2005. I use Photoshop (Adobe) and Photopaint (Corel).
Street life by street light. The world looks different after dark. This set of photos shows my London neighbourhood in the early evening.
Palliser Court
Vereker Road, lined with hundred-year-old London Plane trees
Photo survey of the fascinating and varied neighbourhood I’ve called home for many years. This is not Earls Court, nor Kensington and not Hammersmith: nobody knows where Barons Court is in West London yet thousands drive through on the A4 Talgarth Road trunk route out to the West. I’ve lived here since 1982. Barons Court features a wide variety of architecture and people in homes ranging from bedsits squeezed between the trunk road and the railway to multi-million pound mansion flats and houses with private gardens. There’s a small theatre, several parades of shops, a courthouse, schools and a choice of pubs.
Looking upwards: there are still leaves on the trees but not many remain. A set of images that are hopefully inspirational.
A stainless steel artefact is both a product of our metalwork factories and a reflection of our use of it
YALoPP - Yet another lockdown photo project: my photo study of the textures, surfaces and shapes of stainless steel things
Autumn as a metaphor for our predicament with Covid-19: a set of images of strength, regeneration and renewal among the decay of autumn. From a walk around the Old Deer Park in Richmond then the Thames Tow Path downstream to Kew Bridge.