My photography
I use photography to show something about where I’ve been or people whom I’ve met. As well as trying to see the beauty in a scene or situation, I’m also trying to convey ideas and feelings. My photography is about me and what I do, who I meet and where I go. All my photography tries to be contemporary and creative. I’m resistant to being fitted in to a taxonomy by categorisation such as “travel” or “conceptual” or “nature”. All image-making is political simply by the act of selection and hence exclusion but I am not campaigning for any particular point of view, except to try to see the positives and to live life to the full.
I use 645, 35mm and DX formats plus a handy little digital compact that shoots RAW files. I’ve experimented with non-lens photography - do ask!
I first worked in a monochrome/silver wet darkroom at age 7, helping my Father with scientific prints; I’ve used colour negative materials since age 21 and digital since 2005. I use Photoshop (Adobe) and Photopaint (Corel).
An intense stare from our Mother’s cat, Ginzo, now a pensioner at my Brother’s farm in Devon.
Victorian houses terraced on the side of the denes of Brighton, glowing in the dawn light of late winter; reminding me of paintings by Canaletto or the frontages of the Grand Canal in Venice at sunset.
Appealing or appalling? Concrete palaces at the Lido, Funchal, Madeira.
More photos: Architecture of the Estrada Monumental, Funchal - Madeira 5
Chalk cliffs and surging surf where the South Downs meet the sea at the foot of Seaford Head, Sussex.
After the Christmas party, a set of photos of some recycling bins of Brighton & Hove in my project “After the party”. The sociology revealed by the various collections of bottles is fascinating.
More photos: After the Christmas party - some recycling bins of Brighton & Hove